Published
in May 2005
Multimedia Augments
Classroom Learning
By Jim Stokes
Messiah College’s
Boyer Hall supports community and society.
The
70-seat tiered classroom.
Messiah College’s Boyer
Hall, home to the Boyer Center, in Grantham PA, epitomizes
the mission of building a quality school supporting community
and society. Ernie Boyer, namesake of the new building and
a distinguished alumnus, affirmed his vision of nurturing
intellect, character and faith within and beyond this college.
Specific to the mission, Boyer Hall
is the newest and largest building on campus. The 98,000-square-foot,
four-floor academic facility contains 23 multimedia classrooms,
four interview suites, two observation rooms, a 70-seat
classroom and three seminar conference rooms. Furthermore,
Boyer Hall allows Messiah College to connect even more extensively
with the surrounding community, particularly through the
Parmer Cinema, the building’s new premier surround-sound
film and digital media projection facility, comparable to
a film studio screening venue. Students learn all facets
of cinema in a four-year degree program.
Boyer Hall houses the college’s
school of education and social sciences, school of humanities,
psychology faculty and related classrooms, as well as the
aforementioned Boyer Center. The audiovisual systems designed
for the new building play a major role in augmenting the
school’s educational mission. The design to budget
for the educational technology systems was $1 million.
We’ll cover the building’s
multimedia classrooms, 70-seat classroom, Parmer Cinema,
interview and observation rooms used especially by the psychology
department, and seminar and conference rooms.
Project Evolution
After a large campaign drive, Messiah
College retained Baltimore MD-based architectural firm Ayers
Saint Gross to plan Boyer Hall. In keeping with the goal
of bringing the latest technology into the building, Dennis
Lynch of Ayers Saint Gross brought in higher education technology
design specialists CTDG/Convergent Technologies Design Group,
Baltimore. Thus, CTDG handled all aspects of project management
for technology systems design including audiovisual systems,
telecommunications cabling systems, and acoustics, noise
and vibration.
“We wanted to give Boyer Hall
a solid foundation for developing a future-proof solution
that would grow with the needs of the school, its faculty
and students,” said Paul Corraine, principal designer
for audiovisual and telecommunications cabling systems at
CTDG. “We helped Messiah College to identify and implement
new and emerging technologies that would enhance teaching
and learning not only for now, [but] for years to come.”
Regarding the Crestron access choice,
he noted “the IP addressability and the kind of convergence
of this remote-control setup, and the diagnosing and monitoring
and automation effectiveness over the LAN [local area network]
has really set a new standard there for the folks at Messiah.”

Messiah College, located near the
Pennsylvania state capital, was established in 1909 as a
school of the Brethren in Christ Church.
Few ‘Smart’ Classrooms
Although the school had only a few
“smart” classrooms and lecture halls, the new
Boyer Hall would take Messiah College from a technology-shy
school that used mostly overhead projectors and videos to
advanced AV technology that the instructors would grow to
love. Furthermore, media services became enamored with Crestron’s
RoomView, which saves them time in solving classroom equipment
problems.
“CTDG were the folks who steered
us to Crestron,” declared Bob Weaver, the college’s
assistant director of media services. “RoomView allows
me to do service calls from my desk. Before we had this
system, I probably left my office at least a dozen times
a day. It has cut service calls to less than half. We’re
actually able to see what the instructor sees in the classroom.
And we can allow them to push the buttons. So we’re
actually training them because we have a phone in each classroom
by the instructor’s desk. They can call in and we
can talk them through it. If they’re confused and
in a big hurry, we can do it for them.” He noted that
his boss, IT director Rick Dent, was responsible for adding
a “help” line in the classroom, by dialing #2222.
Regarding the touchpanels themselves,
Weaver pointed out “there are no hard buttons. It’s
all software changes. When you re-do something, you don’t
have to have a new panel engraved.”
Pro-Com Systems’ Philadelphia
office was the dealer/installer. Mike Morgan, who has since
left the company, was project manager for most of the install.
Russell Lynch, Pro-Com’s quality assurance manager,
reported that they subcontracted the actual writing of the
Crestron code to Dave Johnsrud of DuraCom, Brooklyn NY,
who did all of the programming including RoomView.
Remote access was a boon to integrator
Pro-Com as well. Lynch pointed out that Messiah College
“allowed us access into their firewall from our Philadelphia
office, which is about a 220-mile round trip to the college.
And when they had questions or training issues, they let
us in and we had access to web pages and RoomView to see
exactly what was going on to solve problems early. We also
had a few bugs that were discovered in the system that were
solved completely over the internet and by phone.”
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|
 |
| Each multimedia classroom
instructor's sation includes a document camera, DVD/CD
and VCR players, a TV tuner and a computer. |
|
Boyer Hall's main RoomView screen
allows Media Services to view classrooms on the network,
check system status, track equipment usage, monitor
helpdesk requests and schedule events remotely from
a central PC. |
Multimedia Classrooms
Each of the 23 multimedia classrooms
is equipped with a stationary teacher’s station, which
includes a Samsung document camera, Panasonic DVD/CD and
VCR players, a Crestron TV tuner and a computer. A ceiling-mounted
Panasonic LCD projector provides images shown on a large
screen. A Biamp mixer/amplifier drives four Tannoy speakers
located throughout the room. VGA, NTSC and audio signals
are Extron switched/routed. Then there are the classroom
accoutrements of telephone and blackboards. AV equipment
is accessed via a Crestron CT-1000 touchpanel.
“We fasten the teacher’s station
to the floor,” explained Weaver, “because when
people move them around they cut off the wires. So we don’t
want roll-around carts. And we do not give out any hand
remotes. People change settings and they leave with the
remote. With the Crestron, when people shut down the system,
it goes back to default. And you start at square one.”
Document camera acceptance took
some time with the faculty. “At first, we couldn’t
get anybody to use a document camera,” continued Weaver.
“But we made a decision in this new building that
we put in document cameras. And they’re going to have
to live with them. Now they want them everywhere! In fact,
they want them in all the other buildings that we didn’t
have them in.”
Messiah College has a strong commitment
to disability services. At the start of each semester, the
campus disabilities department sends an e-mail to media
services stating which classrooms disabled students will
be taking classes in. “We turn on the (TecNec) closed-caption
decoder boxes on the tuners for those rooms,” said
Weaver. “At the end of the term, we turn the decoders
back off.”
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|
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| The instructor's station in the
70-seat tiered classroom. |
|
The Parmer Cinema can function as
a classroom as well as a screening room. |
Large Classroom
The 70-seat multipurpose classroom
is about twice the size of a typical Boyer Hall classroom.
Designed for large groups, Weaver explained that “it’s
a little fancier classroom used for lectures, guest speakers
and chapel services.” The half-moon-shaped space has
tiered seating with laptop connections for the students.
In addition to the teacher’s station equipment found
in the multimedia classrooms, this room has an Electro-Voice
podium mic, Sennheiser wireless mic and a Williams assisted
listening system. There are eight Tannoy ceiling speakers
for the speech-reinforcement system and a separate program
sound system with Atlas Sound left and right screen speakers.
In addition, the room has
a high-brightness Panasonic LCD projector to accommodate
the larger attendance. For showings, the room can be darkened
completely via blackout shades, which are controlled from
the podium.
Weaver noted that the room’s
TPS-3000LA Isys six-inch screen touchpanel allows the instructor
to preview. “Let’s say you have the document
camera showing on the room screen. Then you can cue up a
tape on the VCR. All you have to do is press the touchpanel’s
upper right hand corner and change from the preview screen
to the big room screen.” Conveniently, there’s
a Sony eight-inch preview monitor in the room’s AV
closet, which is set up for an AV tech videotaping a lecture
or other event.
Parmer Cinema
Parmer Cinema can function
as a classroom as well as a screening room. Equipment access
at the instructor’s podium is via a TPS-3000LA touchpanel.
Because this auditorium is much larger than the other classrooms,
podium mics and a wireless mic are available as well as
wall mic inputs to accommodate events such as panel discussions.
The room seats 134, which includes wheelchair seating for
five. Also available are an assisted-listening system and
a closed-caption decoder. Although similar classroom AV
equipment is accessible, we’ll concentrate on the
cinema aspects of the room in detail. Readers can gain additional
insight into the related film and digital media degreed
program in an accompanying sidebar.
Designed in consultation with
Boston Light and Sound (BL&S), one of the most respected
industry cinema design teams, Parmer Cinema is considered
one of the premier cinemas on the East Coast and is available
for public showings as well. In addition, BL&S maintains
the cinema equipment in the projection booth. The screening
facility features Dolby Digital 5.1 Surround Sound. Parmer’s
Surround Sound has 14 speakers: two EAW left and right rear,
four EAWs along each side wall, one Electro-Voice subwoofer
and Electro-Voice LCR screen speakers. On the picture side,
there’s a ceiling-mounted high-brightness LCD projector
for video and digital media. The projection booth has two
Kinoton 16/35mm film projectors. Theatrical feature film
formats such as Cinemascope, 1.85mm flat and 1.66mm wide
screen are accommodated. Related AV equipment is rack mounted.
The auditorium is acoustically
tuned and features continental seating with aisles on the
sides of the room. All seats are directly in front of the
screen and the slope of seating and distance between rows
is set up so the view from each seat is unobstructed.
Cinema Sound
”This is clearly the most
complex, comprehensive set up in a college I’ve ever
seen,” declared Russell Lynch, who set up the cinema
audio in two overnight sessions using SmaartLive 5. “I
could have quiet and not be interrupted because there were
so many systems and so many adjustments to be made,”
he stated. The film projectors’ Dolby was set up by
BL&S, while Lynch set up the Peavey processing.
The cinema speakers are all fed
by a Peavey X Frame 88 processor, which intercepts feeds
from both the Dolby processor and the Lexicon processor.
Outputs of the film projectors go through the Dolby. Then
the Lexicon accepts all source material other than the projectors.
That includes the TV tuner, DVD and VCR. The X Frame 88
has a 16x16 router that does all the presets for either
the Dolby or the Lexicon processor, in addition to parametric
EQ and all the audio setup for both the separate speech
and program speakers. The two Peavey MM8802 breakout boxes
provide additional ins/outs for the Matrix Mixer: 22 inputs
and 17 outputs in all.
Interview, Observation Rooms
The four interview and two observation
rooms allow psychology students to participate in practice
counseling/interviewing connected with classes, to observe
children at play or to work with faculty members on research
projects. Principal AV equipment in an interview room consists
of a ceiling-mounted Panasonic dome CCTV camera and a ceiling-hung
Audio-Technica undirectional microphone. Other equipment
used, variously, for interview/observation rooms and instruction
includes TV monitors and VCRs for recording/playback of
sessions as well as a podium mic, combo CD/cassette recorder
and monitor amplifiers. In addition, a camera controller,
video switcher and matrix switcher are in the signal chain.
Conference, Seminar Rooms
The conference and seminar
rooms are similarly equipped with LCD projection, screen,
VCR, laptop connection and a closed caption decoder. The
cozy 16-seat conference room has a Polycom VSX-7000 system.
Weaver said that the college’s phone technicians installed
the Polycom. “The conference room is for distance
learning or for use by a specific department.”
It’s rather obvious that Weaver
is happy with the Boyer Hall project. It’s adaptable
for the future in that the infrastructure will enable Messiah
College to easily accommodate additions and modifications.
“We went through training [with Pro-Com] the first
few days we had the building open,” he related. “I
thought it was going to be a nightmare and it turned out
to be a dream! We went from pushing buttons [on equipment]
to using remotes.”
Film And
Digital Media Program
Messiah College offers a unique
way of studying film and digital media in a four-year
degree program. Their approach is distinctly Christian
and very personal. The program is modeled on the workshop
approach used in Europe, rather than the factory approach
used at many American film schools. The program features
award-winning faculty and stellar facilities. Chris
Simmons directs the program and teaches most aesthetics,
history and theory courses. Ann Young is the screenwriting
professor. Joonhee Park teaches film and digital media
production classes. Dr. Crystal Downing of the English
department also offers courses in the program dealing
with filmic adaptations of literary and dramatic works.
Related, the student-run
film society, Lost Films, shows about 80 films per year
in Boyer Hall’s Parmer Cinema, which allows students
to be involved in every aspect of film, including projection,
selling tickets and running concessions. By doing this,
students learn not just production or aesthetics, but
also business and organizational skills important to
succeeding in the gritty world of media production.
Students can take film
and digital media courses at Temple University in Philadelphia
through its highly acclaimed department of film and
media arts. All film students are required to complete
six to eight credits of internships working with film
and digital media in a film industry setting. One way
is in a Hollywood major film studio such as Sony, Warner
Brothers, Universal or Paramount, through Messiah’s
relationship with Emerson College, Los Angeles. |
| Equipment |
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| The 70-seat iered classroom's equipment rack. |
Parmer Cinema equipment rack. |
A close view of the multimedia
calssroom's remote control user interface. |
Large Classroom
2 Atlas AS661 L/R in-wall program speakers
1 Chief CMA-100 ceiling mount w/extension column
1 Chief RPA-6500 LCD projector mount
1 Chief RSH-4 DVD/CD/laser disc rackmount
2 Chief RSH-4 S-VHS VCR rackmounts
1 Crestron PRO 2 Control system w/C2ENET-1 Ethernet
card
1 Crestron CNMK PC keyboard/mouse controller
1 Crestron CNRFGWA RF gateway
1 Crestron ST-TUNE 125-channel TV tuner
1 Crestron TPS-3000LA Isys 6" color touchpanel
1 Crown CP 660 6-channel power amp
1 Electro-Voice PolarChoice 18 podium mic
1 Extron 60-359-BY Matrix 50 Series; 84VA NTSC/stereo
audio
follow matrix
1 Extron MBC VGA/XGA HR w/audio universal computer
interface
1 Extron RGB-203xi universal computer interface
1 Gentner PSR1212 DSP matrix mixer signal processor
2 JBL Control 19CS subwoofers
1 Middle Atlantic Slim 5-43 vertical equipment rack
2 Niles AC-3 power controllers
2 Panasonic AG-1340 Quasi S-VHS VCRs
2 Polk RC85i LS/RS Speaker18
1 Panasonic PT-L6510UL high-brightness LCD projector
w/medium-throw lens
1 Pioneer DLV-919 DVD/CD/laser disc
1 QSC CX-302v power amp
1 Samson PB-9 equipment rack power sequencer
1 Samsung SDP-900 document camera
1 Sennheiser EW122 wireless lapel mic system
1 Sony MB-520 rackmount 8" diag. video preview
monitor
1 Sony PVM-8042 8" diag. video preview monitor
8 Tannoy CMS50-30 ceiling speakerx w/Tx
1 TecNec PCD-85 CC closed caption decoder w/power
supply
2 Whirlwind custom I/O plates
1 Williams PPA-VPE ALS assisted-listening system w/ANT005
antenna, RPK-004 rackmount, 6 PRA-R7 receivers
Parmer Theater
1 Anchor AN-100 powered audio monitor speaker
1 Chief CMA-100 ceiling mount w/extension column
1 Chief RPA-6500 LCD projector mount
1 Chief RSH-4 laser disc rackmount
2 Chief RSH-4 rackmounts
1 Crestron PRO 2 Control system w/C2ENET-1 Ethernet
card
2 Crestron CNXCOM-2 serial interface card
1 Crestron CNRFGWA RF gateway
1 Crestron ST-TUNE 125-channel TV tuner
1 Crestron ST-VC volume controller
1 Crestron TPS-3000L 6" color touch panel
1 Denon DN-T625 CD/cassette recorder
1 Dolby CP650D cinema audio processor
10 EAW UB22i surround speakers
3 Electro-Voice Variplex B screen speakers
1 Electro-Voice PolarChoice 18 podium mic
1 Electro-Voice TL880D subwoofer
1 Extron Matrix 50 Series 128VA NTSC/Stereo audio
follow matrix
1 Extron MBC VGA/XGA HR universal computer interface
w/audio
1 Extron RGB-203xi universal computer interface
1 Furman PL-8 power sequencer
6 ISCO PC-CINE adapters for spherical-type lenses
6 Kinoton 35mm 1.85 aperture plates
2 Kinoton 1.33 16mm combined anamorphic 80mm lenses
2 Kinoton FP38E film projectors w/lens adapter upgrades
from
70.6mm-101.6mm
1 Lexicon DC-2 5.1 THX Dolby surround processor
1 Media Matrix by Peavey MM8802 break out box
1 Media Matrix by Peavey MM8802-M break out box
1 Media Matrix by Peavey X88 audio signal processor
2 Middle Atlantic ERK-4425 vertical equipment racks
w/accessories
1 Middle Atlantic ERK-4425 vertical equipment rack
1 Panasonic PT-L6500UL high-brightness LCD projector
w/medium-throw lens
2 Panasonic AG-1340 quasi S-VHS VCRs
1 Pioneer DLV-919 DVD/CD/laser disc
1 QSC DCA 1222 sub power amp
1 QSC DCA 1622 PA speaker power amp
1 QSC OT600 PA speaker 70V line transformer
3 QSC DCA 1622 screen power amps
2 Samson PB-9 power sequencers
1 Samsung SDP-900 document camera
1 Sanyo DVD-7000 DVD player w/5.1 audio output
6 Schneider anamorphic 80mm lenses: 1.85 flat 35mm,
1.66 wide
screen 35mm, Cinemascope 16mm
4 Schneider LS lens shifter for anamorphic-type lenses
2 Schneider Cinemascope 35mm combined anamorphic 80mm
lenses
1 Sennheiser EW122 wireless mic system
1 Sony PVM-8041 8" video preview monitor w/rackmount
9 Tannoy CMS50-30 ceiling speakers
1 TecNec PCD-85 closed-caption decoder
1 Videotek ADA16 1x6 audio DA
2 Whirlwind custom I/O plates
1 Williams PPA-VPE ALS assisted-listening system w/1
ANT005
antenna, rackmount, 6 PRA-R7 ALS receivers
Multimedia Classrooms (23)
23 Biamp CMA-30 6-input mic/line mixer/amps
1 Crestron remote-control system
23 Chief CMA-100 ceiling mounts w/extension column
23 Chief RPA-730 LCD projector mounts
23 Chief RSH-4 Rack Mount
23 Crestron AV2 control systems
23 Crestron C2ENET-1
23 Crestron CT-1000 3.8" color touchpanels
23 Crestron ST-TUNE TV tuners
23 Crestron ST-VC volume controllers
23 Crestron CT/LC-FPW white engraved faceplates
23 Crestron ST-CNB 125 Channel TV tuner dist. blocks
23 Crestron ST-RMK rack mount kits
46 Crestron IRP2 IR probes
23 Extron Matrix 50 Series; 84VA8x4 NTSC/stereo audio
follow matrix
23 Extron P/2 DA2+ 12' monitor breakout cables
23 Extron RGB-203xi 2x1 VGA auto-switches w/rack mount
23 Middle Atlantic RSH-4A DVD, audio CD player rack
kits
46 Niles AC-3 power controllers
23 Panasonic AG-1340 Quasi S-VHS VCRs
23 Panasonic PT-L720XU LCD projectors
23 Panasonic RV-31K DVD players
23 RDL STD-10K audio combiners
23 Samsung SDP-900 digital single-chip document cameras
92 Tannoy CMS50-30 6.5" ceiling-hung speakers
23 TecNec PCD-85 closed caption decoders w/PWT-300
power supply
46 Whirlwind custom 2RU, 7-gang I/O plates
Interview, Observations Rooms
1 Altronix ALTV248-300 high current ceiling-mounted
dome
color camera P/S
5 Audio-Technica AT847RW Ceiling-hung uni-directional
mics
2 Bretford TVWY27-BK wall mounts for 25" monitor
5 Chief RSH-4 rackmounts for S-VHS VCRs
1 Crown CP 660 6-channel power amp
1 Denon DN-T625 combo CD/cassette recorder
2 Extron Matrix 50 Series; 8x8SA stereo audio matrix
switchers
8 JBL Control 24CT 4" full-range ceiling speakers
2 Marshall Furniture M-RE12 28"H equipment racks
2 Panasonic CT-2789VY 25" stereo TV Monitors
2 Panasonic WV-CU360C CCTV system controllers
1 Panasonic WJ-SX150 video switcher
5 Panasonic AG-1340 Quasi S-VHS VCRs
5 Panasonic WV-CS854A ceiling-mounted color CCTV
dome cameras
1 RDL STD-10K audio combiner
1 RDL ST-DA3 audio distribution amp
7 RDL STM-1 mic to line converters w/power supply
2 Shure MX418D/C Slimline Cardioid gooseneck podium
mics
1 TOA BG-115 10W mono amp
1 Whirlwind custom plate 7-channel 1RU volume volume
controller
Seminar, Conference Rooms
4 Chief CMA-100 LCD projector ceiling mounts
w/extension column
4 Chief RPA-730 LCD projector mounts
4 Chief RSH-4 Quasi S-VHS VCR rackmounts
1 Crestron CP2E control system
1 Crestron ST-VC volume controller
2 Crestron CNX-BN12B 12-button keypads
1 Middle Atlantic D2 2RU drawer
4 Panasonic AG-1340 Quasi S-VHS VCRs
4 Panasonic PT-L720XU LCD video/data projectors
4 TecNec PCD-85 closed caption decoders w/power Supply
8 Whirlwind 2-gang custom AV plates
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Convergent Technologies
Design Group
Convergent Technologies
Design Group (CTDG), headquartered in Baltimore
MD, provides technology design consulting services
to support technology initiatives within educational
institutions and districts across the country. Design
services include audiovisual systems, telecommunications
cabling systems, and acoustics, noise and vibration
control. The firm also has offices in Phoenix AZ
and Buffalo NY.
With more than 80% of their
work coming from higher education clients, consultants
at CTDG draw from years of “hands on”
project management/engineering experience when assisting
faculty, students, technical staff and administrators
in planning technology design options and performance
specifications. The firm continually maintains the
goal to deliver quality technology design solutions
that complement the institutional objectives and
the pedagogical teaching mission.
Messiah College
Messiah College, Grantham
PA, near the state capital of Harrisburg, was established
in 1909 as a school of the Brethren in Christ Church.
The college began granting four-year BA degrees
in the mid 1950s, and since 1963, has been accredited
by the Middle States Association of Colleges and
Secondary Schools. Academic programs in engineering,
dietetics, nursing, athletic training, music, social
work and education are accredited by the appropriate
professional associations.
There are about 140
full-time faculty members for more than 2800 full-time
students. Messiah awards BA and BS degrees in an
academic program that includes 44 majors, more than
50 minors and secondary education certificates in
10 academic disciplines. The college’s program
is administered through 13 academic departments.
Off-campus study opportunities abound through cooperative
arrangements with Brethren Colleges Abroad, Daystar
University, Jerusalem University College, AuSable
Institute of Environmental Studies, Oregon Extension
and programs offered by the Coalition of Christian
Colleges and Universities.
Credits
• Ayers Saint Gross, Baltimore MD, architects,
Dennis Lynch
• CTDG/Convergence Technologies Design
Group, Baltimore, system design, Paul Corraine,
principal
• DuraCom, Brooklyn NY, Crestron programming,
Dave Johnsrud
• Messiah College IT department personnel:
Rick Dent, director; Bob Weaver, assistant director
of media services; Rick Bentz, media services assistant;
Chris Culbert, video telephone technician; Dave
Germeyer, classroom support/CATV; Berte Thompson,
manager, student computer services; Les Weiand,
computer technician
• Pro-Com Systems’ Philadelphia
office, dealer/installer: Mike Morgan, since departed
from Pro-Com, who was project manager during most
of the install; Russell Lynch, quality assurance
manager.
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Contributing Editor Jim Stokes has been involved in the
AV industry for 33 years as an AV technician and recording
studio designer among other areas.
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